
Sunday Circle September 2, 2007 (Daniela Xuereb)
Maybe it’s because I am a people person that makes me intrigued by different characters, talents and cultures. And 78-year-old Gabriel Caruana is a character you seldom come across, if ever at all. When I called to arrange my interview there was a humble tone in Gabriel’s voice that struck me… not just on the phone, but also in his Balzan art studio.
Upon entering he points towards a chair beside him and invites me to take a seat. I look around me and understand why this studio must be priceless; all the work Gabriel created there is now being enjoyed internationally. He is not distracted by my presence, or by my questions. As he replies, his eyes still focus on what he was doing before, a ceramic crucifix for a friend… it has a traditional shape with a modern twist.
Throughout the interview there were silent moments, then words. The irregular speed at which the interview progressed made it even more worthwhile. His memory does not fail him and despite the many works of art spread around his studio he knows exactly where each painting rests. As time goes by the crucifix is completed. He calls one of his helpers to remove it from his lap and moves on to working on another ceramic piece. That is what he does all day, every day, immersed in his own thoughts, creating one masterpiece after another. “I was already playing with clay at the age of seven. As I grew older I experimented with sculpture, at the time under my uncle’s guidance until I eventually moved on to teaching art,” he tells me.
Gabriel was among the first Maltese artists in modern times to work ceramics and is renowned for his extensive contribution to the appreciation of modern art on our islands. Looking back during the time when the Church was the major patron of art (which somewhat determined our local expectations of art), a number of Maltese artists took the plunge to ‘introduce’ modern art – Gabriel was one of them. He persevered and encouraged his students to paint what they wanted to and not what they were ‘expected’ to. “I was a contributor to modern art in Malta, I decided to continue unlike others who did not. I felt the need and saw there were many students who had a thirst for modern art… I encouraged all those whom I believed had a talent for modern art. ”It comes as no surprise that he admires Spanish painter and sculptors Pablo Picasso and Joan Miró. Picasso was one of the most recognised figures in 20th century art, best known as the co-founder along with Georges Braque, of Cubism. While Miro’s work has been interpreted as surrealism. In several interviews Miro’ expressed contempt for conventional painting methods and his desire to “kill, murder or rape” them in favour of more contemporary means of expression.
Locally, among others, Gabriel admires painter and friend Victor Pacemoore. “To me art means economy, time and quick service,” he says, frankly. “If a particular painting does not appeal to one person it is not the artists’ fault – its not a problem that person might just relate to another piece…each work of modern art attracts people in different ways, it’s that simple.” Despite his international success Gabriel keeps a low profile, but people notice him anyway.
Last July he was one of the artists exhibiting his work during a special preview of an artistic exhibition that sought to reinterpret Caravaggio’s art within a contemporary context. The preview – held at Auberge de Castille – was part of two projects: Caravaggio 400, which celebrated 400 years since Caravaggio came to live in Malta and the Malta Arts Festival which also kicked off in July. Gabriel’s art was displayed in the courtyard of Auberge de Castille.
Gabriel continues to work every day, whether producing ceramics, sculptures, paintings or mixed media work. His art consists mostly of paintings and ceramics. He considers any surface suitable for his painting including chairs, cloth, metal and odd pieces of wood. The main aim of most of his paintings is simplicity.
His works have been exhibited in solo worldwide shows from Malta to England, Italy to Switzerland and he has had group exhibitions in Osaka (Japan), Detroit (US), Munich, Faenza (Italy) and New York. Some of his art is found in the private collection at Malta’s National Museum of Fine Arts and many of his works have been sold to private collectors. Gabriel’s artistic education began at the Malta School of Art (1953-59). He further studied at the Academia Pietro Vannucci in Perugia (1965), the School of Arts and Crafts in Detroit (1966) and the Istituto Statale per la Ceramica in Faenza (1967).
He is a father of two girls in ther 20s and husband to Mary Rose, originally from Qala, Gozo, whom he married when he was 50. His wife is also an artist and together they studied art in Perugia. “My wife is a very good artist,” Gabriel tells me. In fact one of her paintings was included in the exhibition in the courtyard of Auberge De Castille.On a final note we speak about a ceramic piece he was just commissioned to do; ironically, the subject is Gabriel the Archangel. I’m curious and ask him if he is a religious person and somehow we end up on the subject of Archangels. Gabriel tells me he prays to Raphael the Archangel, “the patron saint of all travelers”… but I guess with a name like his, surely he will never be forgotten by the Archangel Gabriel either.